Rihanna became the youngest and fastest solo artist in Billboard Hot 100 history to accumulate ten number-one singles. In late 2008, she released “Rehab”, the fifth and final single from Good Girl Gone Bad; it peaked within the top 20 of the charts in both the US and UK. The following singles, “Shut Up and Drive” and “Hate That I Love You”, saw moderate success, while the album’s fourth single, “Don’t Stop the Music”, peaked at number three in the US.
The Western-themed “Desperado” lends itself particularly well to covers by country artists, while the Dido-sampling “Never Ending” conveys the uncertainty she feels about entering a new relationship. Subsequently, Rihanna held the No. 1 spots on the Billboard 200 and Hot 100 simultaneously, her second time achieving such an impressive feat. But the dancehall masterpiece is one of a kind for Rih’s refusal to water down the Jamaican patois (different from her native language of Bajan Creole) — proving that she is fully aware of her impact as one of the biggest Caribbean-born artists to make it in the U.S. ANTI lives up to its name in its first 40 seconds, via opening track “Consideration.” The minute she declares, “I got to do things my own way, darling,” it’s apparent that ANTI is not your average Rihanna album. But that shift began with 2015’s criminally underrated “American Oxygen.” Her most political statement at the time, the goosebump-inducing lyrics detail Rihanna’s journey as an immigrant, foreshadowing her then soon-to-be massive Fenty Beauty success.
Rihanna cuts off questioner outside courthouse
After exploring pop-leaning sonics she first found with Red, Swift worked with Martin and Shellback again on most of 1989. 1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. She plays with time — speeding it up in “Starlight,” dabbling in the past in “All Too Well,” and reframing it in “State of Grace” — to better understand her experiences. In her liner notes, she references Pablo Neruda’s poem “Tonight I Can Write,” stating that “Love is so short, forgetting is so long” is the overarching theme for the album. From addressing the aforementioned VMA incident in the forgiving “Innocent” to a toxic relationship in “Dear John,” Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
“SOS” became her first song to reach number one on the Billboard Hot 100, while “Unfaithful” was a top-ten single worldwide. betista casino The song was released on May 25, 2005, and became a commercial success, reaching number two on both the US Billboard Hot 100 and the UK Singles Chart. Departing from Def Jam in favour of Jay-Z’s label, Roc Nation, she released the eclectic Anti (2016)—her second number-one album.
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Following the release of Unapologetic and the ensuing tour, she expressed a desire to take a break from recording, saying she wanted “a year to just do whatever I want artistically, creatively”. That same month, the Official Charts Company reported she had sold 3.87 million records in the country over the past year, placing her at number one among the 2013 Brit Awards artist nominees. Rihanna’s seventh studio album, titled Unapologetic, was released on November 19, 2012. A dance-oriented pop and R&B album, Talk That Talk opened at number three on the US Billboard 200 with first-week sales of 198,000 copies, while debuting atop the UK Albums Chart with 163,000 units sold. Rihanna aimed to explore more sexually expressive themes on her sixth studio album, Talk That Talk, which was released on November 18, 2011. A dance-pop record, Loud debuted at number three in the US with first-week sales of 207,000 copies.
But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s “The Monster.” More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.
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In 2015, Rihanna became the first artist in history to have 100 million singles digitally downloaded and streamed. Interestingly, Unapologetic was the first Rihanna album to hit No. 1 on the pop charts. “Umbrella” topped the Billboard singles chart and earned Rihanna her first Grammy Award for Best Rap/Sung Collaboration. In 2007, Rihanna effected a transformation from teen pop princess to superstar and sex symbol with her third album, Good Girl Gone Bad, fueled by its smash hit lead single “Umbrella,” featuring Jay-Z. In early 2011 the album’s sexually provocative single “S&M” became her 10th number one Billboard hit—which made her, at age 23, the youngest artist ever to reach that milestone.
- Interestingly, Unapologetic was the first Rihanna album to hit No. 1 on the pop charts.
- More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.
- The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
- To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith.
- The black-and-white, red paint-splattered album cover signals a rebirth, featuring a real-life image of Rihanna as a child.
- Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work.
The record also featured the popular power ballad “Unfaithful,” as well as singles “We Ride” and “Break It Off.” The album debuted at No. 5 on the Billboard 200 chart and earned her first No. 1 hit with the catchy pop single “SOS,” which spent three weeks atop Billboard’s Hot 100. In 2008, Rihanna topped the chart three times, twice with her own songs “Disturbia” and “Take a Bow,” plus a feature on T.I.’s “Live Your Life.” She has also earned nine number-one songs on the UK Singles Chart and ranks second to the Beatles for the most million-selling singles in the country. This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold. With estimated worldwide sales exceeding 250 million records as of 2023, Rihanna is one of the best-selling music artists of all time.
True to her Carribean heritage, Rihanna’s dancehall-inspired debut single “Pon de Replay” earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
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- Rihanna’s first studio album, Music of the Sun, was released in August 2005 to much intrigue.
- The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism.
- To support the album, Rihanna launched the Loud Tour in June 2011, which included a record-breaking ten sold-out shows at The O2 Arena in London—the most by a female artist in the venue’s history.
- Following the release of Unapologetic and the ensuing tour, she expressed a desire to take a break from recording, saying she wanted “a year to just do whatever I want artistically, creatively”.
- With these endeavors combined with her musical empire, Rihanna has not only cemented her legacy in music but also positioned herself as a powerful icon in the world of entrepreneurship.
Their “FourFiveSeconds” is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders. Another overlooked jam, her sultry “Can’t Remember to Forget You” duet with Shakira sees both stars trade lines about struggling to let go of an undeserving lover. Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration in 2010 and 2012, respectively.
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).
Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to “what if” fantasies, falling in love, and falling apart. Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift’s past records — from pop to country to indie rock — and features all of them on one album. Some songs, like “peace,” were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched “august” were penned on the spot as Swift was in her makeshift home studio in Los Angeles. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments.
In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
Janelle Monáe featured Nancy not once but twice on 2023’s Album Of The Year-nominated The Age Of Pleasure, and sampled “Bam Bam” on “Water Slide.” In further recognition of her impact, Burberry asked Sister Nancy to participate in their spring/summer 2024 campaign, which was shot in Jamaica. She’s performed on global stages and can be seen regularly at New York hotspots such as Union Pool, Public Records, and S.O.B.’s. After hearing Nancy on Hot 97’s “Ebro In The Morning,” Jay-Z flew the legend to Jamaica to sing and feature in his hybrid music video-documentary. Kanye West prominently sampled “Bam Bam” in the Rihanna-featuring “Famous”; Nancy’s chorus comes in midway through the song, adding an ethereal quality to West’s braggadocio. With her rights restored, Sister Nancy’s trajectory changed dramatically in the latter half of the 2010s — due in no small part to nods and samples from two of hip-hop’s biggest artists. “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.
It was a very vulnerable time in my life, and I refused to let that be the image. In addition to being a talented recording artist, Rihanna is a billionaire entrepreneur with multiple successful business ventures. Rihanna’s latest work, Anti, arrived in January 2016, topping the mainstream album chart for two weeks. In June 2007, Rihanna released her third album, Good Girl Gone Bad, to much fanfare. The album’s second single, “If It’s Lovin’ That You Want,” made it into the top 40. Rihanna released her debut album, Music of the Sun, in August 2005.
Swift felt a “quiet conclusion” after finishing up evermore, describing that it was more about grappling with endings of all “sizes and shapes,” and the record represented a chapter closing. “Closure” is a “skittering” track that has the same energy as tracks like Lover’s “I Forgot That You Existed,” whereas the ballad “champagne problems” is thematically reminiscent of Swift’s Speak Now track “Back To December” where she takes responsibility for her lover’s heartache. Folklore’s impact on the zeitgeist at a time where everyone was stuck at home helped shape people’s quarantine experience. She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National.
Oldfield was rewarded for helping to scar a generation of moviegoers for life when a condensed version of his eerie masterpiece picked up the Best Instrumental Composition GRAMMY in 1975. And the soul legend further leaned into its supernatural theme in 2013 when he appeared as a witch doctor in a Bud Light Super Bowl commercial soundtracked by the ominous chart-topper. Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms. “I have to appreciate ‘Bam Bam.’ I have no problem talking about it because it’s mine. I did the song, so I’m not tired of talking about it. I’m not tired of playing it either,” Sister Nancy says. “Mad Professor is someone I look up to. He’s a genius, and I love working with him,” Sister Nancy adds. She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.
